7 - 8 August 2025

Nanyang academy of fine arts

Register Your Interest

In a world where digital landscapes and artificial intelligence shape the rhythm of our daily lives, how we record and remember the past has become increasingly significant. The archives of our history now inform the technology of our future, with Artificial Intelligience drawing heavily from the vast data stored in our physical and online archives. As we stand at the intersection of technology and history, we are called to reflect on how both seemingly obsolete archives and modern digital data serve as mirrors - reflecting not only who we were but who we are becoming.

In this moment of rapid digital evolution, the question arises: How do the echoes of history, along with contemporary digital archives, influence our sense of self and our place in the world today?

PROGRAMME

Now in its sixth edition, our hybrid Forum includes livestreamed presentations, performances, and dialogue to inspire an exploration of Southeast Asian arts and its discourses; facilitating an exchange of knowledge from the community to the classroom and vice versa.

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Speakers

Mavericks in their own field and unconventional thinkers, from a diverse background of creative and academic disciplines. These Southeast Asian artists, educators and creative practitioners bring to the Forum what is current, what is urgent and what could be a future alternative following the current state of transitions.

Speaker

Rianto

Moderator

Bridget Tracy Tan

Palm to Palm: Reclaiming Memory through Artistic Research and Performance

Aliansyah Caniago

Moments Over Monuments: Practice of Memory and Impermanence

Sutee Kunavichayanont

Lost in Sounds—Soundscape as Cultural Narratives in Societies and Future Creative Possibilities

Gardika Gigih

Chronotope Lab as Living Archive: Creating a Space to Build Community in the Arts

Grace Leong

Learning from Unknown Hands and Usernames

Hong Shu-ying

Golden Boy: Interpreting Khmer Art Through the Gaps of Local History

Vanvipha Suneta

Creating an Immersive Art Experience from Professor Silpa Bhirasri's Works at the National Gallery of Thailand

Dr Supachai Areenrungruang

What I Believe: Exploring Thai Heritage Through Immersive Media

Dr Gomesh Karnchanapayap

The Human DNA As Taxonomy

Sherman Ong

Mixed Rice (Nasi Campur) Technoculture

Garin Nugroho

Confluence

Dr. Goh Toh Chai

Unforgetting Machines: Counter-archives and Algorithmic Speculation

Debbie Ding

Immortal Words: A Word is Bios

Boedi Widjaja

Zikri Rahman

Farah Wardhani

About Us

The Institute of Southeast Asian Arts was established in April 2010 with the aim of developing the capabilities of NAFA in the niche area of art being practiced in the region and to run a research and resource development agency within NAFA. ISEAA focuses on practice-led research; it is activity-based to benefit students and faculty primarily through workshops. The Institute also forms a network of different partners in Singapore and the Southeast Asian region to represent the spectrum of visual, performing and management arts and to formulate broad-based collaborative projects with individuals and groups of artists.